Detail cut-out Bournes, Deans, Bottoms and Brows

Details, drawings, Bournes, Deans, Bottoms and Brows

AT ALTITUDE

An Arts Council Collection National Partner Exhibition
2018, Towner Art Gallery, Eastbourne

http://www.townereastbourne.org.uk/exhibition/at-altitude/

At Altitude is a selective look at the historical impact and the continuing appeal of the aerial image. Ranging from the exhilarating viewpoints of early aviation to the all-enveloping but flattening vantage point of Google Earth, the exhibition charts these changing perspectives, illustrating how the wonder of the overhead view was transformed through advances in technology as altitudes became higher and horizons more distant.

An illustration from Thomas Baldwin’s book Airopaidia (1786), “A Circular View from the Balloon at its greatest Elevation” sets the context for At Altitude. The drawing is considered to be one of the first ever ‘real’ aerial views, describing Baldwin’s one day in the air over Chester in 1785. The aerial potential of the local landscape, famously often depicted from an elevated position by Eric Ravilious, provides another source of inspiration. The exhibition then focuses on recent decades, looking at increasingly technological mediations of the landscape, the role of conflict in the elevated view, and how changing methods of observation have inspired and informed artists.

Bringing together works in film, video, photography, sculpture, painting, drawing and installation the exhibition features artists including Jananne Al–Ani, Michael Andrews, Ken Baird, Tacita Dean, Charles and Ray Eames, Simon Faithfull, Mishka Henner, Dan Holdsworth, Kabir Hussain, Peter Lanyon, Christopher R. W. Nevinson, Cornelia Parker, Carol Rhodes and Wolfgang Tillmans, alongside a new installation created by Timothy Prus of the Archive of Modern Conflict and a site-specific commission for Towners Collection by Annabel Howland.

 

Bournes, Deans, Bottoms and Brows, Installation view, Annabel Howland, 2018
Photos by Rob Harris.

This work was generously co-funded by the Mondriaan Fund of the Netherlands.